Author Title Publisher

Reference texts

Lesley Brown (Editor) The New Shorter Oxford English Dictionary (2 Volume set) Hardcover - 3801 pages 4th, indexed edition Vol (November 1993) Oxford Univ Press (Trade) 
Kassel Documenta Documenta IX Paperback Boxed edition (June 1992) Harry N Abrams 
D. Bordwell and K. Thompson Film Art: An Introduction (1979)
Alan Bullock and Stephen Trombley (Eds) The new Fontana Dictionary of Modern Thought Harper Collins, London 1999 (Third Printing)


Richard Bolton (Ed) The Contest of meaning 
Critical Histories of Photography
Paperback Reprint edition (April 1992) MIT Press
Thomas B. Hess and Elizabeth C. Baker (Eds) Art and Sexual Politics       
Why have there been no great women artists
Collier Books, New York, 1973
Janet Wolff The social production of Art MacMillan, London 1981

Semiotics and Advertising

Victor Burgin Thinking Photography MacMillan Press, London, 1982 
John Fiske Introduction to Communication Studies (Studies in Culture and Communication) Paperback - 203 pages 2nd edition (November 1990) Routledge;
John A.Walker Art in the Age of Mass Media Pluto Press, London,1983


David Siegel Creating Killer Web Sites 
Second Edition
Hayden Books,1997 
Lynda Weinman Deconstructing web graphics
Web design case studies and tutorials
New Riders Publishing, Idianapolis, 1996 
Ben Shneiderman (Ed) Sparks of innovation in Human - Computer Interaction Ablex Publishing Corporation, Norwood New Jersey, 1995
Crystal Waters Web concept and design
A comprehensive guide for creating effective web sites
New Riders Publishing, Indianapolis, Indiana 1996
Kevin Cox and David Walker User Interface Design Prentice Hall and Simon Schuster, 1993
Alistair. G. Sutcliffe Human - Computer Interface Design MacMillan Press, 1995
John Cato User-centerted Web Design Person Education London, 2001
Jacob Nielsen Designing Web Usability

New Riders Publishing, Idianapolis, 2000

This Icon tells you the book is held by the Swinburne Library (and links you to the library website)


Dore Ashton A reading of Modern Art Icon Editions, 1969
Edward Lucie-Smith Art in the '80's
Phaidon, Oxford, 1990
Sarah Kent Shark Invested Waters
The Saatchi Collection of British Art in the '90's
Zwemmer, London, 1994
Henry M. Sayre The object of performance
The American Avant Garde since 1970
The University of Chicago Press, 1989
Harold Rosenberg The De-Definition of Art
Action Art to Pop to Earthworks
Secker Warburg, London, 1972
Christine Poggi In Defiance of Painting
Cubism, Futurism and the Invention of Collage
Yale University Press, 1992
Nicolas de Oliveira, Nicola Oxley and Michael Petry Installation art  Thames and Hudson, 1994 
Thierry De Duve Kant After Duchamp  Hardcover - 484 pages (May 1996) MIT Press 
Richard Polsky Art Market Guide 1998  
Second Edition
Art Publishers,1998 
Hal Foster The Anti-Aesthetic : Essays on Postmodern Culture  
Second Edition
Bay Press,1983 
Irving Sandler Art of the Postmodern Era : From the Late 1960s to the Early 1990s  
Stephanie Barron (Ed) Degenerate Art: The Fate of the Avant-Garde in Nazi Germany 
Harry N Abrams, New York, 1991 
Diane Kelder The Great Book of French Impressionism Hardcover - 400 pages 2nd edition (December 1997) Artabras 
John A. Walker Art in the Age of Mass-Media  
Pluto Press, London, 1983
André Breton Manifestoes if Surrealism  
Ann Arbor,1972 
Tristan Tzara Seven Dada Manifestos and Lampisteries  
John Calder, London,1977 


Robert Bartlett Haas Muybridge
Man in motion
University of California Press, Berkeley 1976
Francois Dagognet
Jeanine Herman (Translator), Robert Galeta (Translator)
Etienne-Jules Marey
A passion for the trace
Zone Books, New York, 1992 
Anne-Marie Willis Picturing Australia
A History of Photography
Angus & Robertson, Sydney 1988
H.J.P. Arnold William Henry Fox Talbot
Pioneer of Photography and a man of science
Hutchinson Benham, London,1977
Richard Whelan Alfred Stieglitz
A Biography  
Capo Press,1997 
Eric J. Sandeen Picturing an Exhibition
The Family of Man and 1950s America  
University of New Mexico Press,1995 
Victor Burgin Thinking Photography MacMillan Press, London, 1982 
Aaron Scharf Art and Photography  
Paperback Reprint edition (April 1995) Penguin USA (Paper) 
Jonathan Green American Photography : A Critical History 1945 to the Present 
Hardcover - 247 pages (April 1984) Harry N Abrams; 
Max Kozloff The privileged eye, Essays on Photography 
University of New Mexico Press, 1987 
Janet Malcolm Dianna and Nikon 
David Goudine,1980 
Pierre Bourdieu Photography: A middle-brow art 
Reissue edition (April 1996) Stanford Univ Pr; 
Hubertus von Amelunxen, Stefan Inglhaut, Florian Rotzer et al.(Eds) Photography after Photography
Memory and representation in the digital age
G+B Arts, Munich, 1996 


Richard Bolton (Ed) The Contest of meaning 
Critical Histories of Photography
MIT Press, Cambridge, Massachusetts, 1992 
Hal Foster The Anti-Aesthetic : Essays on Postmodern Culture  
Second Edition
Bay Press,1983 
Irving Sandler Art of the Postmodern Era : From the Late 1960s to the Early 1990s  


Mark Dery (Ed) Flame wars 
The discourse of Cyberculture
Duke University Press, Durham and London,1994 
Ashley Crawford and Ray Edgar (Eds) Transit LoungeWake-up calls and travellers' tales from the future Craftsman House, Sydney 1997
Steven Levy Artificial life: The quest for a new creation Penguin,1992 
Andrew Ross No RespectIntellectuals and Popular Culture Routledge, 1989
Geoff Waite Nietzsche's Corps/E :  
Aesthetics, Politics,Prophecy, Or, the Spectacular Technoculture of Everyday Life (Post-Contemporary Interventions)
Duke University Press, Durham and London,1996 
Mark Dery  Escape Velocity
Cyberculture at the end of the Century
Hodder and Stoughton, London, 1996
Nicholas Negroponte Being Digital Hodder and Stoughton, London, 1995
William Mitchell The Reconfigured Eye Paperback (September 1994) MIT Press 
Francis Spufford and Jenny Uglow (Eds) Cultural Babbage, Technology, time and intervention Faber and Faber, london, 1996
Celeste Olalquiaga Megalopolis : Contemporary Cultural Sensibilities Duke University of Minnesota Press,1992