Curriculum Vitae for Werner Hammerstingl<\/p>\n
Academic History:<\/strong><\/p>\n 2009 Diploma of Sustainability, Swinburne University<\/p>\n 2003 Certificate IV in Assessment and Workplace Training Swinburne University<\/p>\n 1994 Master of Visual Art (by Research) The University of Melbourne .<\/p>\n 1982 Graduate Diploma in Fine Arts, Phillip Institute of Technology,Melbourne<\/p>\n 1981 Bachelor of Education (Arts and Crafts) Melbourne College of Advanced Education<\/p>\n Selected Solo Exhibitions:<\/strong><\/p>\n 2003 ‘Portraits’ Gallery 369, Melbourne<\/p>\n 2002 City of strangers (WWW exhibition)<\/p>\n 2000 ‘Eros’ (WWW exhibition)<\/p>\n 2000 ‘Intim’ (WWW exhibition)<\/p>\n 1999 REAL 3.0 presented by Vision Network, Tokyo, Japan in its Co:exist online program (WWW exhibition)<\/p>\n 1998 Up close and personal (WWW exhibition)<\/p>\n 1996 Musical Chairs (WWW exhibition)<\/p>\n 1995 365 Days Airspace Gallery, Sydney<\/p>\n 1995 The Ocular Labyrinth, a collaboration with Alex Riczcallo and Alex Selentich The Foyer Gallery, Arts Victoria<\/p>\n 1994 In Camera Fitzroy Gallery, Melbourne<\/p>\n 1994 Destiny The Basement Gallery, Melbourne<\/p>\n 1994 Difficulties Studio 12, 200 Gertrude Street, Melbourne<\/p>\n 1993 Inner Sanctum in collaboration with Mark Strizic and Noel Flood; Doncaster Art Gallery, Melbourne<\/p>\n 1993 Schlimme Schmisse in collaboration with Anthony Millman; Gold Street Gallery<\/p>\n 1991 Images from Europe, Paparazzi Gallery, Melbourne<\/p>\n 1987 Recent Work Artery Gallery, Geelong<\/p>\n 1987 Silent Screams and Whispers Gryphon Gallery, Melbourne<\/p>\n 1985 One for Marcel Gallery Quintino, Melbourne<\/p>\n 1985 Fimbriated Moments The Printed Image Gallery, Melbourne<\/p>\n 1983 Urban and Domestic Icons Gallery 18, Melbourne<\/p>\n 1982 On Second Thoughts Gallery 18, Melbourne<\/p>\n 1980 Transmogrifications Pentax Brummels Gallery, Melbourne<\/p>\n 1979 Photographs and Prints Roen Art Gallery, Melbourne\\<\/p>\n Selected Group Exhibitions:<\/strong><\/p>\n 2010 FACADE project, Federation Square, Melbourne<\/p>\n 2008 Memefest OZ: Gertrude Digital Media Festival – Project<\/p>\n 2008 Motor at Contempora, Art Lab, Docklands,Melbourne<\/p>\n 2006 The Motor Show mk 2: Yarra Sculpure Gallery,Melbourne<\/p>\n 2006 Contemporary sculpture auction ,Yarra Sculpure Gallery,Melbourne<\/p>\n 2005 Defining Melbourne: Australian Centre for the Moving Image,Melbourne<\/p>\n 2004 The Motor Show: Yarra Sculpure Gallery,Melbourne<\/p>\n 2004 On the wire: Gallery PB ,Melbourne<\/p>\n 2004 Piece\/Peace: Gallery 369 ,Melbourne<\/p>\n 2002 Sustainability: Gallery PB ,Melbourne<\/p>\n 2001 Sustainability: An Artists View; the Atrium, Swinburne University, Lilydale<\/p>\n 1999 20 Photographers, Melbourne Arts Club Gallery, Melbourne<\/p>\n 1998 Tool2.0b was webmastered and curated by Graham Crawford (QuickSilver), and was Part of The Australian Network for Art and Technology’s 10 year Retrospective, “Foldback” which was exhibited at ISEA 98 and toured Australian Cities.<\/p>\n “Tool2.0b” has also just been installed in the Australian national archive dedicated to the presentation of Australian screen-based digital art on the web – SCREENARTS<\/p>\n 1997 Iconoclastic Plastic, Center for Contemporary Photography, Melbourne<\/p>\n 1997 Techne at QANTM, Darwin, Northern Territory 25th Sept to 3rd Oct 1997<\/p>\n 1997 Techne, Perth Institute for Contemporary Art, Perth<\/p>\n 1996 Myopia, Photographers Gallery, Melbourne<\/p>\n 1995 Decadence 200 Gertrude Street, Melbourne<\/p>\n 1995 Transapparency Ether Ohnetitel, Melbourne<\/p>\n 1995 Oz Art, Australian High Commission,Singapore<\/p>\n 1994 John Doe 200 Gertrude Street Gallery, Melbourne<\/p>\n 1994 Blow-Up ‘Next Wave’ Exhibition at Southgate, Melbourne<\/p>\n 1994 Studio Artists Foyer Gallery, Victorian Ministry for the Arts, Melbourne<\/p>\n 1994 Foetus, Fish, Flesh Airspace, Sydney<\/p>\n 1994 Read my Lips (Next Wave Festival 1994) Ascent Gallery, Melbourne<\/p>\n 1994 It never rains in April Morabbin Arts Centre, Melbourne<\/p>\n 1994 Agfa Summer Salon Centre for Contemporary Photography, Melbourne<\/p>\n 1993 Un\/authorized Duplication 200 Gertrude Street Gallery, Melbourne<\/p>\n 1993 City of Footscray Invitation Prize, Melboune<\/p>\n 1993 Box Hill InvitationPrize Exhibition, City Of Box Hill Town Hall<\/p>\n 1993 Downlands Invitation Art Prize Towoomba<\/p>\n 1993 V I T E A ; A.I.P. #7, Fifth Sculpture Triennial, R.M.I.T. Gallery<\/p>\n 1993 John Baird Tower Studio Art Award exhibition of finalists at The Steps Gallery, Melbourne.<\/p>\n 1993 Agfa Summer Salon, Centre for Contemporary Photography, Melbourne<\/p>\n 1992 Art Imitating Life with Mark Strizic, Pamela Irving and Noel Flood. Caulfield Arts Complex, Melbourne<\/p>\n 1992 ‘Small Works – Wide Vision’, Downlands Art Exhibition, Toowoomba<\/p>\n 1992 ‘Image and Time’ Taipei International Exhibition of Photography 1992 R.O.C.Taiwan Museum of Art, Taipei Fine Arts Museum and Chiang Kai – Shek Culture Center<\/p>\n 1991 Art and Architecture The Atrium, Architecture Building, University of Melbourne<\/p>\n 1989 International Invitation Exhibition, Gallery 56, New York, U.S.A.<\/p>\n 1988 Art Horizons International Art Competition and Exhibition, Larchmont, New York, U.S.A.<\/p>\n 1988 Salon International de la reserche photographique Royan, France<\/p>\n 1987 Survey Exhibition of Australian Art, Linden Galleries, Melbourne<\/p>\n 1987 National Photographic Exhibition, Albury Photographic Center, Albury<\/p>\n 1984 International Triennial Exhibition of Photography, Friberg, Switzerland<\/p>\n 1984 Still Moments Heide Park and Gallery, Melbourne<\/p>\n 1983 Primitive Images The Eye Gallery, San Francisco, U.S.A.<\/p>\n 1983 International Postcard Exhibition Photo Factory, Koenigsberg, Oslo, Norway<\/p>\n 1983 3rd Post – Graduate Exhibition Phillip Institute of Technology, Melbourne<\/p>\n 1983 Current Post – Graduate Work , Victorian College of the Arts Gallery, Melbourne<\/p>\n 1982\/3 Graduating Photography Traveling Exhibition, all States and Territories in Australia. Australian Center for Photography, Sydney<\/p>\n 1982 The Tyranny of Distance Banque National de Paris, Melbourne<\/p>\n 1982 Independent Artists Exhibition A.M.P. Building, Melbourne<\/p>\n 1981 A Question on your Plate Gallery 18, Melbourne<\/p>\n 1981 Four Melbourne Photographers Real Pictures Gallery, Auckland, New Zealand<\/p>\n Film and Video Work: 1995 365 Days, V.H.S. 174 min<\/p>\n 1994 The Red Glove Video, 60 min.<\/p>\n 1993 City\/Country Video Installation 2 x 60 Minutes<\/p>\n 1992 MacDonalds Video, 60 min.<\/p>\n 1990 Zero Ozone Conditions Apply (Homage to Charles Burkowsky) in collaboration with Anthony Millman V.H.S. 97 min.<\/p>\n 1983 Memories Super 8 (Sound) 8 min.<\/p>\n 1980 Ode to the decline of the Industrial Era Super 8 (Sound) 12 min.<\/p>\n Interviews<\/strong><\/p>\n Radio: ‘Digital Art’ on Arts Today with Sian Prior (45 minute special) ABC 2.4.1997<\/p>\n Interview with Andrew Garton on Kiss FM (Net up), Thursday 30.8.1996 (20min)<\/p>\n http:\/\/www.peg.apc.org\/toysatellite\/Space_Junk\/netup\/<\/p>\n Arts Today with Sian Prior (45 minute special) ABC 18.4.1996<\/p>\n Interview with Rodger Taylor on RRR, Saturday 30.3.1996 (30min)<\/p>\n Interview with Rodger Taylor on RRR, Saturday 7.4.1996 (30min)<\/p>\n Interview with Hugo Leshin on 3MBS, Thursday 31.8.95 (20min)<\/p>\n Interview on Radio National, Ronald MacDonald April 5, 1994 (16 min)<\/p>\n Review on RRR with Rodger Taylor, July 8.1995<\/p>\n Interview on 3AW April 4th. 1994 (12 min)<\/p>\n Interview on RRR on Sunday April 3, 1994 (28 min)<\/p>\n Interview with Linda Hicks on ‘Talbot’s Box’ 3CR 7.3.1987 (30 min)<\/p>\n Television:<\/p>\n Cyberfringe:Digital Imaging Award, Chanel 31, Monday 14.10.1996<\/p>\n 365 Days: CTV1, Sydney, Saturday, February 18, 1995<\/p>\n Still Photography? (Repeat) ABC TV Review, Sunday April 17, 1994<\/p>\n Still Photography? ABC TV Review, Monday April 11, 1994<\/p>\n Recent Public Lectures:<\/strong><\/p>\n E.Learning -Facts and Fictions: The Australian Society for Educational Technology, Ministry of Education, May 12, 2004<\/p>\n Represented:<\/strong><\/p>\n The University of Melbourne, The University of Oslo, Koenigsberg, Norway, City of Footscray Collection, Private Collections in Australia, Germany, Italy, India, France, England, U.S.A. and New Zealand.<\/p>\n Publications:<\/strong><\/p>\n Monographs:<\/p>\n Hammerstingl W. 365 Days, Windrest Publications, Melbourne 1995<\/p>\n Hammerstingl W. Social Politics in Australian Photography<\/p>\n Unpublished Master by Research Thesis, Melbourne University, 1992<\/p>\n Hammerstingl W.The New Photography Unpublished Thesis. M.C.A.E. 1982<\/p>\n Articles in Books:<\/p>\n Book Bildsprache und Medienbilder, Semiotics pp 306-319<\/p>\n Publisher VS Verlag f\u00fcr Sozialwissenschaften, 2006 Werner Hammerstingl “12 Stories” and “Stelarc and the sum of his parts” in<\/p>\n Dr. Rachel Armstrong (Ed.) Sci-Fi Aesthetics , Academic Group, London, 1997<\/p>\n Articles in Journals:<\/p>\n Werner Hammerstingl “C.O.T.I.S.”<\/p>\n Espace (Montreal, Canada) Automne 1999, No.49 pp43-44<\/p>\n Werner Hammerstingl “Post-humanism”<\/p>\n JZ 49 (Verisimilitude issue) June\/July 1999 pp26-29<\/p>\n Werner Hammerstingl “What’s the difference?”<\/p>\n JZ 48 (Verisimilitude issue) Jan\/Feb 1999 pp25-26<\/p>\n Werner Hammerstingl “self-remembering-home”<\/p>\n MeshNo.12 pp58-59<\/p>\n Werner Hammerstingl “Urban Exile. On-line Gallery”<\/p>\n MeshNo.8\/9 pp29-30<\/p>\n Articles on CD-ROM:<\/p>\n Werner Hammerstingl “Stelarc and the sum of his parts” on “Metabody-From Cyborg to Stimborg” published by Merlin, Sydney, 1997<\/p>\n Catalogues:<\/strong><\/p>\n Jason Waterhouse (Curator) Motor at Contempora, Art Lab, Docklands,Melbourne<\/p>\n Jason Waterhouse (Curator)The Motor Show mk 2: Yarra Sculpure Gallery,Melbourne, 2006<\/p>\n Jason Waterhouse (Curator) “The Motor Show”, Yarra Sculpture Gallery, 2004<\/p>\n Iconoclastic Plastic, CCP exhibition,1997<\/p>\n Rodger Taylor Digital Aesthetics, Ivan Dougherty, Sydney<\/p>\n 1996 Dennis Chapman Transapparency, Ether Ohnetitel, 1995<\/p>\n Selenitsch, A. The Ocular Labyrinth, Arts Victoria, 1995<\/p>\n Jonathan Nichols, Louise Paramour et.al. (Eds.) Jon Doe 200 Gertrude Street Artist Spaces, 1994<\/p>\n Daw, Kate and Delaney, Max Untitled Next Wave Festival 1994<\/p>\n Nervegna, Anna and O’Dwyer, Roisin (Un)authoized duplication 200 Gertrude Street Artist Spaces, 1993<\/p>\n Hammerstingl, W. Two Documentary Photographers The University of Melbourne 1993<\/p>\n Vandam, Jennifer: Art Imitating Life Caulfield Arts Complex, Melbourne, 1982<\/p>\n ‘Image and Time’ Taipei International Exhibition of Photography Art: 1992 R.O.C.<\/p>\n Taiwan Museum of Art, Taipei Fine Arts Museum and Chiang Kai – shek Culture Center, 1992<\/p>\n Mc Culkin, T. (Ed.)Small Works – Wide Visions, Downlands College, Toowoomba, 1992<\/p>\n Tresseder, B. Masters Degree Exhibition, M.C.A.E., 1987<\/p>\n Jenkins, R.( Ed.) Primitive Images, Eye Gallery, San Francisco, 1983<\/p>\n Churcher, B. (Ed.) Third Post – Graduate Exhibition Phillip Institute of Technology, 1983<\/p>\n Articles\/Reviews:<\/strong><\/p>\n Amanda Finnis”All that beauty: Digital Aesthetics-One” ARTLINK Special “Arts in the Electronic Landscape”Issue,Volume 16, Number 2\/3,Winter 1996<\/p>\n Cindy Lee”Digital Aesthetics-One” MESH Special Issue, Number 8\/9, Autumn\/Winter 1996<\/p>\n John Conomos “Language and Aesthetics” Cinema Papers Number 111, August 1996 pp.42-44<\/p>\n Barb Smith “Art in the Age of modern technology” Canberra Times, Friday, April 26th 1996, page 12<\/p>\n Madeleine Coorey “High-tech muse” The Australian, Higher Education Supplement, page 26, Wednesday, april 10 1996<\/p>\n Marie Sierra-Hughes “Off the wall” Herald Sun, Wednesday, February 1. 1995<\/p>\n Robert Nelson “Three Themes on the Art of Teamwork”, Review and large photograph, The Age Wednesday, Feb. 1. 1995, Page 19<\/p>\n Gower,R.. “Whatever Happened to…?” Commercial Photography Australia, SydneyJanuary \/ February 1995<\/p>\n “Still Photography?” Australian Multimedia Vol. 2, Number 3, Dec\/Jan 94 \/95 page 42<\/p>\n Alan Koeninger “Still Photography?” in Photofile (# 42) June 1994, pp 38-39<\/p>\n Steve Rand and Mark T “Still Photography?” (page 30) and “Fresh New Reality” (page 50)<\/p>\n Beat Magazine, Volume 2, April 1994<\/p>\n Smith, Barbara “Developing Awareness of Digital Technology”, Canberra Times, April 19 1994<\/p>\n Hammerstingl, W. “Culture vs.Technique” Commercial Photography Australia, Sydney January \/ February 1994<\/p>\n Irving, P. ‘Alienation in Everyday Living’ Geelong Advertiser Aug. 16th. 1987<\/p>\n New Zealand Herald, Monday, August 17 th,1982<\/p>\n Hughes, S. ‘Youths Exuberance Overwhelms Quality of Art’ Melbourne Times, May 1980<\/p>\n Reference Texts:<\/strong><\/p>\n “A Short Ride in a Fast Machine: Gertrude Contemporary Art Spaces 1985 – 2005”, Gertrude Contemporary Art Spaces,Melbourne 2005<\/p>\n “International Who’s Who of Professionals (Millenium edition)” Gibralter Publishing, Jacksonville NC. 2000<\/p>\n The Twentieth Century Performance Reader (Paperback)<\/p>\n by Michael Huxley (Editor), Noel Witts (Editor), Routhledge, 1996<\/p>\n “Who’s -Who in Australian Art?” Thorpe Publishing, Melbourne , 1996<\/p>\n Kevin Murray “King Solomons Net”, pp117 -141 in POST,<\/p>\n Photography Post Photography, Edited by Stuart Koop, Center for Contemporary Photography, Melbourne 1995<\/p>\n Le Pechoux, J.M.The Australian Photography Yearbook 1983, Thomas Nelson and Roscope, Melbourne 1983<\/p>\n Diaries: Prendergast, M. (Ed). Australian Art Diary 1984, Prendergast and McGulloch, Melbourne, 1983<\/p>\n Interviews by Werner Hammerstingl<\/strong><\/p>\n Werner Hammerstingl interviews Prof. William Mitchell, Dean of Architecture and Planning, Massachusetts Institute of Technology Creating in a Digital Imaging Environment (“Still Photography?” Interview Series #1) published by the Media Unit , The University of Melbourne (58min VHS), 1994<\/p>\n Werner Hammerstingl interviews Prof. Douglas Ford Rea, Dean of Electronic Imaging , Rochester Institute of Technology, New York: 5 Years Ahead..(“Still Photography?” Interview Series #2) published by the Media Unit , The University of Melbourne (45 min VHS), 1994<\/p>\n Boxed Sets:<\/strong><\/p>\n Hammerstingl, W., New Years Day,1999<\/p>\n Hammerstingl, W., Rizkalla A.and Selenitsh A. The Ocular Labyrinth Melbourne 1995<\/p>\n Hammerstingl, W., Domestic Bliss,1994<\/p>\n Hammerstingl, W., Anzac Day 1983<\/p>\n Bennet, T. (Ed.) 8 Post Cards Campaspe. Melbourne 1983<\/p>\n Photographs included in:<\/strong><\/p>\n Aedon, Vogue, Outrage, Vogue Living, Rolling Stone, Beat, Antithesis, Agenda, Craft Victoria, Craft Art, Track-Bred, The Age, The Sun, The Herald, The Australian, 100×100 Print Council of Australia, Melbourne 1989. CATfood, Professional Photography Australia.<\/p>\n Master Workshops:<\/strong><\/p>\n Architecture of the Small, solutions for confined spaces, with Annalisa Dominoni<\/p>\n Strategic Design Workshop, fusing design and interactive media, with Francesco Galli<\/p>\n Design Masterclass with Professor Arturo Dell\u2019Acqua Bellavitis<\/p>\n Curatorships:<\/strong><\/p>\n 1996 CAT Digital Imaging Award and National Gallery of Victoria Acquisition Award, Stop 22 Gallery, Melbourne Digital Aesthetics-One Ivan Dougherty Gallery, Sydney 1996<\/p>\n Included in the show were the artists Zbigniev Karkowski , James Verdon (Booth), Orlan,Graham Harwood and Stelarc<\/p>\n CAT Digital Imaging Award and National Gallery of Victoria Acquisition Award City of Waverley Gallery , Melbourne 1995<\/p>\n Promises made and broken, Paton Gallery, The University of Melbourne, 1994<\/p>\n Still Photography? Digital Imaging Award and National Gallery of Victoria Acquisition Award Arts Building, Melbourne University,1994<\/p>\n Stelarc and Don’t shoot the Messenger, The Open Stage, Melbourne 1994<\/p>\n Two Documentary Photographers, Griffin Gallery, The University of Melbourne, 1993<\/p>\n Image and Form, The Doncaster Gallery, 1992<\/p>\n Work in Progress, Griffin Gallery, The University of Melbourne, 1992<\/p>\n Student work, The University Gallery, The University of Mississippi, Missouri, U.S.A. 1992<\/p>\n Awards:<\/strong><\/p>\n ISS Institute Fellowship, 2008<\/p>\n City of Footscray Acquisitive Award, 1993<\/p>\n 200 Gertrude Street Studio Award, 1993<\/p>\n University of Melbourne Research Grants 1990,1992,1993 and 1994<\/p>\n University of Melbourne Post – Graduate Scholarship , 1989<\/p>\n M.C.A.E. Research Grant 1988<\/p>\n Commonwealth Post – Graduate Scholarship, 1985<\/p>\n Judging:<\/strong><\/p>\n 1996 CAT Digital Imaging Award and National Gallery of Victoria Acquisition Award, Stop 22 Gallery , Melbourne 1995 CAT Digital Imaging Award and National Gallery of Victoria Acquisition Award City of Waverley Gallery , Melbourne 1995<\/p>\n 1994 Still Photography? Digital Imaging Award and Michaels National Gallery of Victoria Acquisition Award, Arts Building, Melbourne University<\/p>\n 1993 Images of the Orient Oriental Paper Photography Award (Australia-wide)<\/p>\n 1986 International Photography Prize, Sydney Town Hall, Sydney<\/p>\n Memberships:<\/strong><\/p>\n Member, AICA (Association Internationale des Critiques d’Art)<\/p>\n Member, The Digipainters Club<\/p>\n Member, AIPP (Australian Institute of Professional Photography)(retired)<\/p>\n Foundation Member, NAVA (National Association for the Visual Arts)<\/p>\n Committee Member, Melbourne University Research Committee(retired)<\/p>\n Committee Member, Doncaster Art Complex Management (retired)<\/p>\n Group Founder of the “Still Photography?” Project (retired)<\/p>\n President,”Still Photography?” Committee (retired)<\/p>\n President, “Contemprary Arts and Technology” Inc.<\/p>\n Employment:<\/strong><\/p>\n Present:<\/p>\n Lecturer at Swinburne University<\/p>\n Curator, Photographer, Artist, Editor,Webdesigner and Writer.<\/p>\n Most recent:<\/p>\n Lecturer in Photography and Digital Media at Photographic Studies College<\/p>\n Lecturer in Photography, The Victorian College of the Arts<\/p>\n H.O.D. Hawthorn Photography Unit (Contract.1995)<\/p>\n Conference Convener (1996)<\/p>\n","protected":false},"excerpt":{"rendered":" Curriculum Vitae for Werner Hammerstingl Academic History: 2009 Diploma of Sustainability, Swinburne University 2003 Certificate IV in Assessment and Workplace Training Swinburne University 1994 Master of Visual Art (by Research) The University of Melbourne . 1982 Graduate Diploma in Fine Arts, Phillip Institute of Technology,Melbourne 1981 Bachelor of Education (Arts and Crafts) Melbourne College of […]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[52],"tags":[],"class_list":["post-295","post","type-post","status-publish","format-standard","hentry","category-cv","category-52-id","post-seq-1","post-parity-odd","meta-position-corners","fix"],"_links":{"self":[{"href":"http:\/\/olinda.com\/artworks\/wp-json\/wp\/v2\/posts\/295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/olinda.com\/artworks\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/olinda.com\/artworks\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/olinda.com\/artworks\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/olinda.com\/artworks\/wp-json\/wp\/v2\/comments?post=295"}],"version-history":[{"count":6,"href":"http:\/\/olinda.com\/artworks\/wp-json\/wp\/v2\/posts\/295\/revisions"}],"predecessor-version":[{"id":1179,"href":"http:\/\/olinda.com\/artworks\/wp-json\/wp\/v2\/posts\/295\/revisions\/1179"}],"wp:attachment":[{"href":"http:\/\/olinda.com\/artworks\/wp-json\/wp\/v2\/media?parent=295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/olinda.com\/artworks\/wp-json\/wp\/v2\/categories?post=295"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/olinda.com\/artworks\/wp-json\/wp\/v2\/tags?post=295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n1996 Ladies and Gentlemen, 16mm , 3minutes(with Carolyn Deutsher)<\/p>\n